A few years back Dave Dahl (Dave’s Killer Bread) became friends and I asked him for a lo-cal bread.  He said he would and that he’d name it after me. Well the bread is finally here, not named after me but it does have a very kind dedication on the back label.

If the bread is anywhere near as good as the samples I tested then it’s a superb lo-cal bread AND it even comes in two of his famous variety’s. For those of you unfamiliar with Dave’s Killer Bread READ HERE.  You can find his amazing bread in 5 states and counting. Enjoy! And Thanks Killer Dave, you rule!

ZIA MCCABE

GOTHMAN

Intermission

(2003)

There’s some great performances and some great clever writing here but ultimately someone should’ve lobotomized this writer before he was actually allowed to complete the “4th wall breaking” part of this mess.

The Savages (2007) It took me a good 30 minutes befor I went “ew, what an awful idea for a movie” and turned it off.

Avatar I reviewed when it came out. Update: “Dances With Wolves In Space”.

Movie Review Archive

COURTNEY TAYLOR-TAYLOR

The Dandy Warhols – “The Best of the Capitol Years (1995-2007)” (Capitol) (rating 7 out of 10)

The Portland quartet known as The Dandy Warhols were born kicking and screaming in 1993, making music to, ahem, “drink to,” an alternative soundtrack for slackers, stoners, and midnight tokers which celebrated the permanent vacations of the elegantly wasted. Think Keith Richards with New Wave hair. Lead Dandy Courtney Taylor-Taylor had clearly been educated at the School of Rock. His motley crew of carefully recruited outsiders looked chic (fringes, cheekbones, hips), borrowed from the best (Stones, Velvets, Bowie, Dylan), and actively encouraged chaos, disorder, and public nudity at gigs. The doors of perception were wedged permanently open. Just like the truly great, they had their own proper film celebrating their rise (the unmissable “Dig!”) and, for bonus cool, their own imagined TV theme song. The Mount Rushmore of Rock surely had space for Taylor’s snarling mug.

“The Capitol Years” captures their time in the fast lane, livin’ la vida loca, lounging in limos popping pills and reading Sartre. Whereas their penniless urchin contemporaries coughed “sell out” from the dungeons of indie clubs, Taylor looked to the stars: number ones, billboards, mansions, monogrammed bathrobes, art dealing, golf. There are a good, half-dozen moments here when, dammit, it should have worked. It’s so close you can taste it in the grooves. The Dandys had a gift for fizzy four-minute space pop, from the mechanical bull rides of “Everyday Should Be a Holiday,” “Boys Better,” and “Bohemian Like You,” to the dreamy, twinkling Bowie-esque “Last High” and perky newbie “This Is the Tide” – all white-hot, genius pop with skyscraper melodies. Even the tracks time forgot such as “The Scientist” and “Plan A” now seem expertly fashioned, fixing the foundations for funky futurists like Hot Chip and MGMT. It was exhilarating, joyous pop that deserved to be beamed from radios, clubs, TVs, and enormodomes alike, not chained and weeping in some grimy basement bar to an audience of three devotees and a dog called Bobby. – Matt James

Read more: http://www.bellinghamherald.com/2010/08/24/1584637/sound-affects-music-reviews-and.html#ixzz0xe5hgiRv

Court says, “Wow, man, nice perspective.”

BRENT DEBOER

Admission: $20.

Address: 318 North 1st Avenue.

Buy tickets 10/29/10 The Dandy Warhols in
Madison Majestic Theatre US

Admission: $20.

Age restrictions: All Ages.

Address: 115 King Street.

Buy tickets

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(Yeah, that’s Fatty singing lead on that track. He wrote this tune with Zia. Break that out on Taco Tuesday trivia night.)

If you have a friend you think would dig on it, don’t be selfish, brother – share the song with them in this little player here.

Graçias.

GOTHMAN

The Capitol Years 1995-2007 is now out everywhere. Click here to buy it.

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With heavy hearts,

Peter, Courtney, Zia and Brent

THE DANDY WARHOLS

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GOTHMAN

On The Beach

(1959)

Even if it weren’t Gregory Peck, Anthony Perkins, Ava Gardner and Fred Astaire it would still be a tedious little overwritten doomsday flick from the nuclear-scare era.

Movie Review Archive

COURTNEY TAYLOR-TAYLOR